Skip to content
Transmission · Lancecore

WEIRD
WALLPAPERS

For your phone14 signals
Latest signals
Nostaliga: A chaotic collage of vintage-style photos layered like scattered Polaroids, featuring moments of youth and rebellion—flowers in brown paper, a bassist mid-performance, graffiti-covered staircases, and candid portraits of people. Bold, hand-drawn doodles and phrases like 'What do you love?', 'SMILE!', and 'LOVE' are scrawled across the images in red, blue, and black marker. A red sad-face doodle and arrows add to the raw, scrapbook-like feel. The overall mood evokes messy emotions, bittersweet memories, and 2000s alternative culture.
Nostalgia
No War But Class War: A black-and-red graphic of a faceless figure in a hooded sweatshirt, their silhouette filled with repeated, staggered text reading 'NO WAR BUT CLASS WAR' in bold red and white letters. The words form the entire body and hood of the figure, creating a striking contrast against the pure black background. The design evokes themes of resistance, anonymity, and revolutionary identity.
No War But Class War
Neon Pantheon: A surreal, vaporwave-inspired digital collage featuring a Roman statue with a multicolored, reflective face, partially overlaid by iridescent patterns. The statue is surrounded by vibrant crystals, a metallic chain, and oversized tropical leaves. A glowing dolphin leaps from a cyber-ocean under a pink sky dotted with cotton candy clouds and a floating, Saturn-like planet. The whole composition glows with neon blues, purples, and pinks, evoking a dreamy, futuristic mythology.
Neon Pantheon
You Will Be Okay: A moody, dreamlike image of a figure standing at the edge of a body of water under a cloudy, violet-tinged sky. The silhouette of the person is filled with a starry galaxy texture, blending space with earth. Two lines of delicate cursive text hover in the sky and sea, reading: 'you will be okay' and 'you have no choice.' The image evokes resilience, melancholy, and a quiet strength in the face of inevitability.
You Will Be Okay
Feel Better: A gritty, glitchcore digital image featuring a figure in a neon green ski mask with dollar signs stitched on the forehead, layered with distorted static and rainbow-tinted glitch effects. The figure wears camo clothing and stands against a chaotic, abstract urban backdrop. Handwritten, jagged text sprawled across the image reads: 'If we wanted to feel better, we'd stop.' The artwork gives off anarchic, cyberpunk energy, with themes of rebellion, burnout, and emotional detachment.
Feel Better
See No Evil: A glitched, retro-futuristic portrait of a glamorous woman in vintage Hollywood style, rendered in grayscale with 3D red-and-cyan distortion. Her eyes are obscured by a bold red strip of digital tape, giving a sense of censorship or defiance. Behind her, the background pulses with warped, rainbow-like waves and a pixelated halftone texture. The image blends mid-century elegance with cyberpunk aesthetics, evoking themes of surveillance, identity, and rebellion.
See No Evil
The Waste Land: A surreal collage featuring a woman in a vintage coat standing in a mountainous landscape with a distant hot air balloon and cascading waterfall behind her. Her figure is entirely filled with dense, typewritten text taken from T.S. Eliot’s poem The Waste Land, blending literary and visual elements. The woman’s confident stance contrasts with the textured, faded scenery, creating a sense of strength, detachment, and poetic dissonance. The piece evokes themes of identity, fragmentation, and cultural decay—echoing the tone of Eliot’s iconic work.
The Waste Land
Don't Touch Me — Inspired by the art of Fox Rockett Studio — foxrockettstudio.com: A digital collage split into two panels, inspired by the art of Fox Rockett Studio. The top half features a dramatically lit, upward-reaching hand in red and black tones, set against a deep blue background with the words 'REACH OUT' in small gold text along the edge. The bottom panel is red, showing the phrase 'TOUCH ME' in bold serif font—preceded by the word 'DON’T' crossed out in dark blue paint. At the bottom, a quote from T.S. Eliot’s The Love Song of J. Alfred Prufrock reads: 'And would it have been worth it after all, would it have been worth while.' The piece evokes longing, emotional conflict, and fragile desire.
Don't Touch Me — Inspired by the art of Fox Rockett Studio — foxrockettstudio.com
Target in Sight: A surreal composition featuring a roaring waterfall cascading into a rocky river, rendered in faded, vintage tones. Hovering above the landscape is a circular scope view, centered on a decayed human skull marked by crosshairs and rangefinder lines, as if seen through a sniper’s lens. The skull’s hollow eye sockets and fractured surface contrast starkly with the natural beauty below, evoking a sense of foreboding and unseen violence. The juxtaposition of nature and death suggests themes of surveillance, mortality, and silent threat.
Target in Sight
Flying Falling: A bold graphic featuring a stylized figure in red, upside down in a diving or falling position, against a textured yellow vertical streak on a black background. Repeated in purple block letters behind the figure is the word 'FLYING,' which gradually shifts into 'FALLING' as it descends down the image. The visual ambiguity of whether the figure is flying or falling creates a sense of tension between freedom and collapse, power and surrender.
Flying Falling
La playlist du moi(s): A soft, nostalgic collage composed of torn vintage book pages, botanical diagrams, handwritten notes, and typewritten excerpts. Overlayed are hand-painted hearts, butterflies, and the French phrase 'la playlist du moi(s)' in playful red-orange script. A retro cut-out of a smiling woman in a polka dot swimsuit reads a book while sunbathing, surrounded by fluttering monarch butterflies. A pencil and a message reading 'Just keep going' add touches of encouragement. The piece radiates introspection, warmth, and the quiet joy of personal rituals.
La playlist du moi(s)
Mushrooms for Brains: A vibrant, surreal collage featuring a vintage anatomical illustration of a human skeleton with exposed organs. The top of the skull is open, revealing a cluster of large mushrooms growing from where the brain would be. Surrounding the figure is an explosion of psychedelic, 70s-style shapes in pinks, oranges, purples, and yellows, along with stylized stars, hearts, and flowers. The chaotic yet harmonious background evokes a hallucinogenic state, suggesting themes of altered perception, mind expansion, and the natural world blooming from within.
Mushrooms for Brains
Spaceman: A surreal digital collage of a lone astronaut standing in the foreground of a star-filled sky, wearing a vintage-style blue space suit with a white helmet. Behind them, a massive pink-purple planet looms in the upper right corner, partially covered by curved gridlines that stretch across the starry background like warped spacetime. Jagged, alien-looking mountains surround a calm, silvery body of water at the astronaut’s feet. The scene evokes isolation, exploration, and the mystery of the unknown cosmos.
Spaceman
Pretty Woman: A surreal collage blending classical portraiture with botanical illustration. The figure of a regal woman in an ornate, gold-accented dress sits with hands delicately folded, her face entirely replaced by a blooming bouquet of lush pink roses and green leaves. Set against a stark black background, the contrast draws attention to the elegance of her garments and the vibrant, surreal floral eruption in place of a head. The image evokes themes of beauty, identity, and the natural world's dominance over human form.
Pretty Woman